Swinburne was born in London, and raised on the Isle of Wight, and at Capheaton Hall, near Wallington, Northumberland. He was associated with the Pre-Raphaelite movement, and counted among his best friends Dante Gabriel Rossetti.

He is considered a decadent poet, albeit that he professed to perhaps rather more vice than he actually indulged in, a fact which Oscar Wilde notably and acerbically commented upon. Many of his early and still admired poems evoke the Victorian fascination with the Middle Ages, and some of them are explicitly medieval in style, tone and construction, these representatives notably being "The Leper," "Laus Veneris," and "St Dorothy".

He was an alcoholic and a highly excitable character. His health suffered as a result, until he finally broke down and was taken into care by his friend Theodore Watts, who looked after him for the rest of his life in Putney. Thereafter he lost his youthful rebelliousness and developed into a figure of social respectability.

His vocabulary, rhyme and metre arguably make him one of the best poets of the English language; but his poetry has been criticized as overly flowery and meaningless, choosing words to fit the rhyme rather than to contribute towards meaning.

Works include: Atalanta in Calydon, Tristram of Lyonesse, Poems and Ballads (series I, II and III -- these contain most of his more controversial works), Songs Before Sunrise, Lesbia Brandon (novel published posthumously).

He also wrote poems in favour of the unification of Italy. He was a student at Balliol College, Oxford, and his work in his day was very popular among undergraduates at Oxford and Cambridge, though today it has largely gone out of fashion. This, at least, is the current popular and even the academic view of the decline of Swinburne's reputation, but it contains some distortion.

In fact Swinburne's Poems and Ballads, First Series and his Atalanta in Calydon have never been out of critical favor. It was Swinburne's misfortune that the two works, published when he was nearly 30, soon established him as England's premier poet, the successor to Alfred, Lord Tennyson and Robert Browning. This was a position he held in the popular mind until his death, but sophisticated critics like A. E. Housman felt, rightly or wrongly, that the job of being one of England's very greatest poets was beyond him.

Swinburne may have felt this way himself. He was a highly intelligent man and in later life a much-respected critic, and he himself believed that the older a man was, the more cynical and less trustworthy he became. Swinburne may have been one of the first people not to trust anyone over thirty. This of course created problems for him after he himself passed that age.

After the first Poems and Ballads, Swinburne's later poetry is devoted more to politics and philosophy. He does not utterly stop writing love poetry, but he is far less shocking. His versification, and especially his rhyming technique, remain masterful to the end. He is the virtual star of the third volume of George Saintsbury's famous History of English Prosody, and Housman, a more measured and even somewhat hostile critic, devoted paragraphs of praise to his rhyming ability.

Trivia
Ernest Wheldrake was a fictional character invented by Swinburne, who reviewed imaginary works by him. This was as a satire on the spasmodic poets. Wheldrake is also a character used by Michael Moorcock in his fiction. The band Cradle of Filth use sections of Swinburne's The Garden of Proserpine in their song "The Forest Whispers My Name" from the album The Principle Of Evil Made Flesh (1994) and other of their lyrics show an influence by their poet..